What is Personal and What Is Not. The Role of Photographs in Some of the Works of Tamás Waliczky, in: Photo-based New Media Works by Tamás Waliczky. School of Creative Media, City University of Hong Kong, 2016. 12–28.
TIMEBASE. Time-Based Media in Contemporary Art. New Budapest Gallery, Catalogue, 2016.
Koncept.hu / concept.hu. C3 Alapítvány – Paksi Képtár, 2014.
The Illusion of the Initiative. In: Sabine Himmelsbach (Ed), GATE(WAY)S: Kunst und vernetzte Kultur. KUMU Art Museum Tallinn, 2011. 201-213.
Icarus and Transitus. The moment of freedom. In: Hajnal Németh: CRASH – Passive Interview. The Hungarian Pavilion at the 54th International Art Exhibition – la Biennale di Venezia. 2011.
“Born/Natura” – A Picture in the Background of a Picture. In: Siegfried Zielinski and Eckhard Fürlus (Eds.). Variantology 5 – Neapolitan Affairs. On Deep Time Relations of Arts, Sciences and Technologies. Verlag der Buchhandlung Walther Koenig, Cologne, 2011. 361–384
The Catharsis of Eureka! Attila Csörgő: Archimedean Point. Gurgur Editions, Ljubljana – Ludwig Museum, Budapest, 2010. 80 – 85.
bauhaus lab budapest. C3 Foundation, 2010. (with Éva Kozma)
Art Beyond the Pictorial Turn. Zoltán Szegedy-Maszák. Paksi Képtár, 2008-2009. 5-17.
Die heroische Zeit der großen Illusion. In: Nike Bätzner – Eva Schmidt – Werner Nekes (Hrsg.): Blickmaschinen. DuMont, Köln, 2008. 215 – 221.
Art, Science and Spectacle in the Age of Kempelen. In: Kempelen.Man in the Machine. C3 Foundation – Műcsarnok, Budapest, 2007. & In: Bernhard Serexhe – Peter Weibel (Eds.): Mensch in der Maschine. Matthes & Seitz, Berlin – ZKM, Karlsruhe, 2007. 28-38.
Convention and Invention. Notes on the Illustrations to Orbis Pictus. In: Variantology 2. On Deep Time Relations of Arts, Sciences and Technologies. Verlag der Buchhandlung Walther König, Köln, 2006. 87–111.
Light and Sound from Hungary (pp. 84-85), Vision in Motion (pp. 91-95), Hungarian Computer Art (pp 338-340), In: Peter Weibel (ed): Beyond Art: A Third Culture. Springer Wien New York, 2005.
Art, Research, Experiment: Scientific Methods and Systematic Concepts., In: Beyond Geometry: Experiments in Form, 1940s-70s. Los Angeles County Museum of Art, 2004.
Intermédia. Catalogue. Budapest, 1999.
INTERMEDIA. Catalogue., Budapest, 1993.
Detaillierte Spuren von Geheimnisse. artintact 3. ZKM Karlsruhe, 1996. 89-94.
Hungarian Video Art. Cross Chronology. SUB VOCE. Műcsarnok, Budapest 1991. 21-24.
Bachman – Rajk – RAVATAL/CATAFALQUE, NA-NE Galéria, Budapest, 1990.
Who is (was) the Victim, Who is (was) the Culprit and What Happened? Hungarian Art in the Eighties. Modern Contemporary Hungarian Art, SCCA Bulletin 1985-90, Budapest, 1990 ed. Suzanne Mészöly)
BÓDY Gábor (1946-1985). Műcsarnok, Budapest 1987. (with László Beke) http://catalog.c3.hu/mediatortenet/PDF/BODY_GABOR_1946-1985_KATALOGUS.pdf
Film / Video / DVD
2010 „We shall survive in the memory of others”– Vilém Flusser, DVD, Verlag der Buchhandlung Walther König, Köln
1991 THE MEDIA WERE WITH US (A médiumok velünk voltak) BBS, video, 131`
1989 A FÉNY KÉPEIRŐL / THE PRINTS OF LIGHT video, 121`
1988/89 HERMANN NITSCH IN BUDAPEST BBS, video, 46`
1985/87 BESZÉLGETÉSEK II. (Vénusz születése) / CONVERSATIONS II. (The Birth of Venus) BBS, video, 39`
1981/88 RESTAURÁCIÓ. BBS 35mm fekete-fehér/B&W, 14`